The Painted Bird - Jerzy Kosinski [43]
Suddenly the farmer spat on his hands, grabbed a knotted whip, and lashed the rumps of the two strong horses. They bolted forward violently, the rope grew taut, and the noose tightened on the neck of the condemned. Wheezing hoarsely, he was dragged down and fell like a fence blown over by the wind. They pulled him over the soft ground brutally for a few more paces. When the panting horses stopped, the farmer walked up to the victim and kicked him a few times on the neck and on the knees. The animal did not stir. The strong horses, scenting death, stamped their feet nervously as though trying to avoid the stare of the wide-open, dead eyes.
I spent the rest of the day helping the farmer skin off the hide and cut up the carcass.
Weeks went by and the village left me alone. Some of the boys said occasionally that I should be delivered to the German headquarters, or’that the soldiers should be told about the Gypsy bastard in the village. Women avoided me on the road, carefully covering the heads of their children. The men looked me over in silence, and casually spat in my direction.
They were people of slow, deliberate speech who measured their words carefully. Their custom required them to spare words as one spares salt, and a loose tongue was regarded as a man’s worst enemy. Fast talkers were thought devious and dishonest, obviously trained by Jewish or Gypsy fortunetellers. People used to sit in a heavy silence broken only infrequently by some insignificant remark. Whenever speaking or laughing, everyone would cover his mouth with a hand to avoid showing his teeth to ill-wishers. Only vodka managed to loosen their tongues and relax their manners.
My master was widely respected and often, invited to local weddings and celebrations. Sometimes, if the children were well and neither his wife nor his mother-in-law objected, I was also taken along. At such receptions he ordered me to display my urban language to the guests, and to recite the poems and stories I had learned before the war from my mother and nurses. Compared to the soft, drawling local speech, my city talk, full of hard consonants which rattled like machine-gun fire, sounded like a caricature. Before my performance I was forced by my farmer to drink a glass of vodka at one gulp. I stumbled over feet which tried to trip me and barely reached the center of the room.
I started my show at once, trying to avoid looking at anyone’s eyes or teeth. Whenever I recited poetry at great speed, the peasants opened their eyes wide in amazement, thinking that I was out of my mind and that my fast speech was some sort of infirmity.
They were entirely convulsed by the fables and rhymed stories about animals. Listening to stories about a goat traveling across the world in search of the capital of goatland, about a cat in seven-league boots, the bull Ferdinand, Snow White and the Seven Dwarfs, Mickey Mouse, and Pinocchio, the guests laughed, choking on their food and sputtering vodka.
After the performance I was called to one table after another to repeat some poems, and was forced to drink new toasts. When I refused, they poured the liquor down my throat. Usually I was quite drunk by the middle of the evening and hardly knew what was going on. The faces around me began to take on the features of the animals in the stories I recited, like some live illustrations in the children’s books which I still remembered. I felt as though I were falling down a deep well with smooth, moist walls coated with spongy moss. At the bottom of the well, instead of water, there was my warm, secure bed where I could safely sleep and forget about everything.
The winter was ending. I went every day with my farmer to fetch wood from the forest. Warm moisture filled the air and swelled the woolly mosses hanging from the boughs of great trees like graying, half-frozen rabbit skins. They were soaked with water, dripping dark drops over the sheets of torn bark. Small