The Painted Bird - Jerzy Kosinski [44]
A neighboring family held a big wedding reception for their handsome daughter. Peasants, dressed in their Sunday best, danced in the barnyard, which had been swept clean and decorated for the occasion. The groom followed ancient tradition by kissing everyone on the mouth. The bride, dizzy from too many toasts, wept and laughed in turns, paying little attention to men who pinched her buttocks or rested their hands on her breasts.
When the room emptied and the guests started dancing, I rushed to the table for the meal I had earned by my performance. I sat in the darkest corner, anxious to avoid the jeers of drunks. Two men entered the room with their arms over each other’s shoulders in a friendly hug. I knew them both. They were among the more prosperous farmers in the village. Each had several cows, a team of horses, and choice pieces of land.
I slid behind some empty barrels in the corner. The men sat on a bench by the table, still loaded with food, and talked slowly. They offered each other portions of food and, as was the custom, avoided each other’s eyes and kept grave faces. Then one of them slowly reached into his pocket. While picking up a piece of sausage with one hand, he slid out a knife with a long pointed blade with the other. Then he plunged it with all his strength into the back of his unsuspecting companion.
Without looking back he left the room munching the sausage with relish. The stabbed man tried to rise. He looked around with glassy eyes; when he saw me he tried to say something, but all that came out of his mouth was a half-chewed piece of cabbage. Once more he tried to stand up, but he wobbled and slid gently between the bench and the table. Making sure that there was no one else about, and trying in vain to stop trembling, I scurried out of the half-open door like a rat and ran to the barn.
In the dusk, village lads were grabbing girls and pulling them into the barn. On a pile of hay a man showing his buttocks had a woman spreadeagled on her back. Drunks stumbled across the threshing yard, cursing to each other and vomiting, harassing the lovers and waking the snorers. I pried off a board in the rear of the barn and squeezed through the opening. I ran to my farmer’s barn and quickly scrambled onto the heap of hay in the stable which was my sleeping quarters.
The body of the murdered man was not removed from the house immediately after the wedding. It was placed in one of the side rooms while the dead man’s family assembled in the main room. Meanwhile, one of the older village women had bared the left arm of the corpse and washed it with a brown mixture. The men and women suffering from goiter entered the room, one by one, the ugly sacks of inflated flesh hanging under their chins and spreading over their necks. The old woman brought each of them to the body, made some involved gestures over the afflicted part, and then lifted the lifeless hand to touch the swelling seven times. The patient, pale with fright, had to repeat with her, “Let the disease go where this hand will be going.”
After the treatment the patients paid the dead man’s family for the cure. The corpse remained in the room. The left hand rested on his chest; a holy candle had been placed in the stiff right hand. By the fourth day, when the odor in the room became stronger, a priest was summoned to the village and burial preparations started.
Long after the funeral, the farmer’s wife still refused to wash the bloodstains from the room of the murder. They were clearly visible on the floor and table, like a dark rust-colored fungus embedded in the wood forever. Everyone believed that these stains, testifying to the crime, would sooner or later draw the murderer back to the spot against his will and lead to his death.
However, the murderer, whose face I remembered very well, frequently dined in the same room where he had murdered, gorging himself on the ample meals served there. I