The Rosary [7]
odd whimsicalities had been so freely discussed while they drank her tea and feasted off her strawberries. The men rose as she approached, but not quite so spontaneously as they had done for her niece.
The duchess carried a large wooden basket filled to overflowing with exquisite roses. Every bloom was perfect, and each had been cut at exactly the right moment.
CHAPTER IV
JANE VOLUNTEERS
The duchess plumped down her basket in the middle of the strawberry table.
"There, good people!" she said, rather breathlessly. "Help yourselves, and let me see you all wearing roses to-night. And the concert-room is to be a bower of roses. We will call it 'LA FETE DES ROSES.' . . . No, thank you, Ronnie. That tea has been made half an hour at least, and you ought to love me too well to press it upon me. Besides, I never take tea. I have a whiskey and soda when I wake from my nap, and that sustains me until dinner. Oh yes, my dear Myra, I know I came to your interesting meeting, and signed that excellent pledge 'POUR ENCOURAGER LES AUTRES'; but I drove straight to my doctor when I left your house, and he gave me a certificate to say I MUST take something when I needed it; and I always need it when I wake from my nap. . . . Really, Dal, it is positively wicked for any man, off the stage, to look as picturesque as you do, in that pale violet shirt, and dark violet tie, and those white flannels. If I were your grandmother I should send you in to take them off. If you turn the heads of old dowagers such as I am, what chance have all these chickens? . . . Hush, Tommy! That was a very naughty word! And you need not be jealous of Dal. I admire you still more. Dal, will you paint my scarlet macaw?"
The young artist, whose portraits in that year's Academy had created much interest in the artistic world, and whose violet shirt had just been so severely censured, lay back in his lounge-chair, with his arms behind his head and a gleam of amusement in his bright brown eyes.
"No, dear Duchess," he said. "I beg respectfully to decline the commission, Tommy would require a Landseer to do full justice to his attitudes and expression. Besides, it would be demoralising to an innocent and well-brought-up youth, such as you know me to be, to spend long hours in Tommy's society, listening to the remarks that sweet bird would make while I painted him. But I will tell you what I will do. I will paint you, dear Duchess, only not in that hat! Ever since I was quite a small boy, a straw hat with black ribbons tied under the chin has made me feel ill. If I yielded to my natural impulses now, I should hide my face in Miss Champion's lap, and kick and scream until you took it off. I will paint you in the black velvet gown you wore last night, with the Medici collar; and the jolly arrangement of lace and diamonds on your head. And in your hand you shall hold an antique crystal mirror, mounted in silver."
The artist half closed his eyes, and as he described his picture in a voice full of music and mystery, an attentive hush fell upon the gay group around him. When Garth Dalmain described his pictures, people saw them. When they walked into the Academy or the New Gallery the following year, they would say: "Ah, there it is! just as we saw it that day, before a stroke of it was on the canvas."
"In your left hand, you shall hold the mirror, but you shall not be looking into it; because you never look into mirrors, dear Duchess, excepting to see whether the scolding you are giving your maid, as she stands behind you, is making her cry; and whether that is why she is being so clumsy in her manipulation of pins and things. If it is, you promptly promise her a day off, to go and see her old mother; and pay her journey there and back. If it isn't, you scold her some more. Were I the maid, I should always cry, large tears warranted to show in the glass; only I should not sniff, because sniffing is so intensely aggravating; and I should be most frightfully careful that my tears did not run down your neck."
"Dal, you ridiculous CHILD!" said the
The duchess carried a large wooden basket filled to overflowing with exquisite roses. Every bloom was perfect, and each had been cut at exactly the right moment.
CHAPTER IV
JANE VOLUNTEERS
The duchess plumped down her basket in the middle of the strawberry table.
"There, good people!" she said, rather breathlessly. "Help yourselves, and let me see you all wearing roses to-night. And the concert-room is to be a bower of roses. We will call it 'LA FETE DES ROSES.' . . . No, thank you, Ronnie. That tea has been made half an hour at least, and you ought to love me too well to press it upon me. Besides, I never take tea. I have a whiskey and soda when I wake from my nap, and that sustains me until dinner. Oh yes, my dear Myra, I know I came to your interesting meeting, and signed that excellent pledge 'POUR ENCOURAGER LES AUTRES'; but I drove straight to my doctor when I left your house, and he gave me a certificate to say I MUST take something when I needed it; and I always need it when I wake from my nap. . . . Really, Dal, it is positively wicked for any man, off the stage, to look as picturesque as you do, in that pale violet shirt, and dark violet tie, and those white flannels. If I were your grandmother I should send you in to take them off. If you turn the heads of old dowagers such as I am, what chance have all these chickens? . . . Hush, Tommy! That was a very naughty word! And you need not be jealous of Dal. I admire you still more. Dal, will you paint my scarlet macaw?"
The young artist, whose portraits in that year's Academy had created much interest in the artistic world, and whose violet shirt had just been so severely censured, lay back in his lounge-chair, with his arms behind his head and a gleam of amusement in his bright brown eyes.
"No, dear Duchess," he said. "I beg respectfully to decline the commission, Tommy would require a Landseer to do full justice to his attitudes and expression. Besides, it would be demoralising to an innocent and well-brought-up youth, such as you know me to be, to spend long hours in Tommy's society, listening to the remarks that sweet bird would make while I painted him. But I will tell you what I will do. I will paint you, dear Duchess, only not in that hat! Ever since I was quite a small boy, a straw hat with black ribbons tied under the chin has made me feel ill. If I yielded to my natural impulses now, I should hide my face in Miss Champion's lap, and kick and scream until you took it off. I will paint you in the black velvet gown you wore last night, with the Medici collar; and the jolly arrangement of lace and diamonds on your head. And in your hand you shall hold an antique crystal mirror, mounted in silver."
The artist half closed his eyes, and as he described his picture in a voice full of music and mystery, an attentive hush fell upon the gay group around him. When Garth Dalmain described his pictures, people saw them. When they walked into the Academy or the New Gallery the following year, they would say: "Ah, there it is! just as we saw it that day, before a stroke of it was on the canvas."
"In your left hand, you shall hold the mirror, but you shall not be looking into it; because you never look into mirrors, dear Duchess, excepting to see whether the scolding you are giving your maid, as she stands behind you, is making her cry; and whether that is why she is being so clumsy in her manipulation of pins and things. If it is, you promptly promise her a day off, to go and see her old mother; and pay her journey there and back. If it isn't, you scold her some more. Were I the maid, I should always cry, large tears warranted to show in the glass; only I should not sniff, because sniffing is so intensely aggravating; and I should be most frightfully careful that my tears did not run down your neck."
"Dal, you ridiculous CHILD!" said the