The Rosary [8]
duchess. "Leave off talking about my maids, and my neck, and your crocodile tears, and finish describing the portrait. What do I do, with the mirror?"
"You do not look into it," continued Garth Dalmain, meditatively; "because we KNOW that is a thing you never do. Even when you put on that hat, and tie those ribbons--Miss Champion, I wish you would hold my hand--in a bow under your chin, you don't consult the mirror. But you shall sit with it in your left hand, your elbow resting on an Eastern table of black ebony inlaid with mother-of- pearl. You will turn it from you, so that it reflects something exactly in front of you in the imaginary foreground. You will be looking at this unseen object with an expression of sublime affection. And in the mirror I will paint a vivid, brilliant, complete reflection, minute, but perfect in every detail, of your scarlet macaw on his perch. We will call it 'Reflections,' because one must always give a silly up-to-date title to pictures, and just now one nondescript word is the fashion, unless you feel it needful to attract to yourself the eye of the public, in the catalogue, by calling your picture twenty lines of Tennyson. But when the portrait goes down to posterity as a famous picture, it will figure in the catalogue of the National Gallery as 'The Duchess, the Mirror, and the Macaw.'"
"Bravo!" said the duchess, delighted. "You shall paint it, Dal, in time for next year's Academy, and we will all go and see it."
And he did. And they all went. And when they saw it they said: "Ah, of course! There it is; just as we saw it under the cedar at Overdene."
"Here comes Simmons with something on a salver," exclaimed the duchess. "How that man waddles! Why can't somebody teach him to step out? Jane! You march across this lawn like a grenadier. Can't you explain to Simmons how it's done? . . . Well? What is it? Ha! A telegram. Now what horrible thing can have happened? Who would like to guess? I hope it is not merely some idiot who has missed a train."
Amid a breathless and highly satisfactory silence, the duchess tore open the orange envelope.
Apparently the shock was of a thorough, though not enjoyable, kind; for the duchess, at all times highly coloured, became purple as she read, and absolutely inarticulate with indignation. Jane rose quietly, looked over her aunt's shoulder, read the long message, and returned to her seat.
"Creature!" exclaimed the duchess, at last. "Oh, creature! This comes of asking them as friends. And I had a lovely string of pearls for her, worth far more than she would have been offered, professionally, for one song. And to fail at the last minute! Oh, CREATURE!"
"Dear aunt," said Jane, "if poor Madame Velma has a sudden attack of laryngitis, she could not possibly sing a note, even had the Queen commanded her. Her telegram is full of regrets."
"Don't argue, Jane!" exclaimed the duchess, crossly. "And don't drag in the Queen, who has nothing to do with my concert or Velma's throat. I do abominate irrelevance, and you know it! WHY must she have her what--do--you--call--it, just when she was coming to sing here? In my young days people never had these new-fangled complaints. I have no patience with all this appendicitis and what not--cutting people open at every possible excuse. In my young days we called it a good old-fashioned stomach-ache, and gave them Turkey rhubarb!"
Myra Ingleby hid her face behind her garden hat; and Garth Dalmain whispered to Jane: "I do abominate irrelevance, and you know it!" But Jane shook her head at him, and refused to smile.
"Tommy wants a gooseberry!" shouted the macaw, having apparently noticed the mention of rhubarb.
"Oh, give it him, somebody!" said the worried duchess.
"Dear aunt," said Jane, "there are no gooseberries."
"Don't argue, girl!" cried the duchess, furiously; and Garth, delighted, shook his head at Jane. "When he says 'gooseberry,' he means anything GREEN, as you very well know!"
Half a dozen people hastened to Tommy with lettuce, water-cress, and cucumber sandwiches; and Garth
"You do not look into it," continued Garth Dalmain, meditatively; "because we KNOW that is a thing you never do. Even when you put on that hat, and tie those ribbons--Miss Champion, I wish you would hold my hand--in a bow under your chin, you don't consult the mirror. But you shall sit with it in your left hand, your elbow resting on an Eastern table of black ebony inlaid with mother-of- pearl. You will turn it from you, so that it reflects something exactly in front of you in the imaginary foreground. You will be looking at this unseen object with an expression of sublime affection. And in the mirror I will paint a vivid, brilliant, complete reflection, minute, but perfect in every detail, of your scarlet macaw on his perch. We will call it 'Reflections,' because one must always give a silly up-to-date title to pictures, and just now one nondescript word is the fashion, unless you feel it needful to attract to yourself the eye of the public, in the catalogue, by calling your picture twenty lines of Tennyson. But when the portrait goes down to posterity as a famous picture, it will figure in the catalogue of the National Gallery as 'The Duchess, the Mirror, and the Macaw.'"
"Bravo!" said the duchess, delighted. "You shall paint it, Dal, in time for next year's Academy, and we will all go and see it."
And he did. And they all went. And when they saw it they said: "Ah, of course! There it is; just as we saw it under the cedar at Overdene."
"Here comes Simmons with something on a salver," exclaimed the duchess. "How that man waddles! Why can't somebody teach him to step out? Jane! You march across this lawn like a grenadier. Can't you explain to Simmons how it's done? . . . Well? What is it? Ha! A telegram. Now what horrible thing can have happened? Who would like to guess? I hope it is not merely some idiot who has missed a train."
Amid a breathless and highly satisfactory silence, the duchess tore open the orange envelope.
Apparently the shock was of a thorough, though not enjoyable, kind; for the duchess, at all times highly coloured, became purple as she read, and absolutely inarticulate with indignation. Jane rose quietly, looked over her aunt's shoulder, read the long message, and returned to her seat.
"Creature!" exclaimed the duchess, at last. "Oh, creature! This comes of asking them as friends. And I had a lovely string of pearls for her, worth far more than she would have been offered, professionally, for one song. And to fail at the last minute! Oh, CREATURE!"
"Dear aunt," said Jane, "if poor Madame Velma has a sudden attack of laryngitis, she could not possibly sing a note, even had the Queen commanded her. Her telegram is full of regrets."
"Don't argue, Jane!" exclaimed the duchess, crossly. "And don't drag in the Queen, who has nothing to do with my concert or Velma's throat. I do abominate irrelevance, and you know it! WHY must she have her what--do--you--call--it, just when she was coming to sing here? In my young days people never had these new-fangled complaints. I have no patience with all this appendicitis and what not--cutting people open at every possible excuse. In my young days we called it a good old-fashioned stomach-ache, and gave them Turkey rhubarb!"
Myra Ingleby hid her face behind her garden hat; and Garth Dalmain whispered to Jane: "I do abominate irrelevance, and you know it!" But Jane shook her head at him, and refused to smile.
"Tommy wants a gooseberry!" shouted the macaw, having apparently noticed the mention of rhubarb.
"Oh, give it him, somebody!" said the worried duchess.
"Dear aunt," said Jane, "there are no gooseberries."
"Don't argue, girl!" cried the duchess, furiously; and Garth, delighted, shook his head at Jane. "When he says 'gooseberry,' he means anything GREEN, as you very well know!"
Half a dozen people hastened to Tommy with lettuce, water-cress, and cucumber sandwiches; and Garth