The Seventh Man [26]
are," commanded the sheriff, and indeed there had been no rousing response to Ronicky Joe's appeal.
"You yaller quitters," groaned Joe. "Give me a square chance and I'll tackle Vic Gregg alone day or night, on hoss or on foot. Are we five goin' to lay down to him?"
"If that was Vic Gregg," answered the sheriff, slipping over the insult with perfect calm, "I wouldn't of told you to scatter for cover; but that ain't Vic."
"Pete, what in hell are you drivin' at?"
"I say it ain't Vic," said the sheriff. "Vic is a good man with a hoss and a good man with a gun, but he couldn't never ride like the gent over there in the rocks, and he couldn't shoot like him."
He pointed, in confirmation, at the body of Harry Fisher.
"You can rush that hill if you want, but speakin' personal, I ain't ready to die."
A thoughtful silence held the others until Sliver Waldron broke it with his deep bass. "You ain't far off, Pete. I done some thinkin' along them lines when I seen him standin' up there over the arroyo wavin' his hat at the bullets. Vic didn't never have the guts for that."
All the lower valley was gray, dark in comparison with the bright peaks above it, before the sheriff rose from his place and led the posse towards the body of Grey Molly. There they found as much confirmation of Pete's theory as they needed, for Vic's silver-mounted saddle was known to all of them, and this was a plain affair which they found on the dead horse. Waldron pushed back his hat to scratch his head.
"Look at them eyes, boys," he suggested. "Molly has been beatin' us all day and she looks like she's fightin' us still.
The sheriff was not a man of very many words, and surely of little sentiment; perhaps it was the heat of the long chase which now made him take off his hat so that the air could reach his sweaty forehead. "Gents," he said, "she lived game and she died game. But they ain't no use of wastin' that saddle. Take it off."
And that was Grey Molly's epitaph.
They decided to head straight back for the nearest town with the body of Harry Fisher, and, fagged by the desperate riding of that day, they let their horses go with loose rein, at a walk. Darkness gathered; the last light faded from even the highest peaks; the last tinge of color dropped out of the sky as they climbed from the valley. Now and then one of the horses cleared its nostrils with a snort, but on the whole they went in perfect silence with the short grass silencing the hoofbeats, and never a word passed from man to man.
Beyond doubt, if it had not been for that same silence, if it had not been for the slowness with which they drifted through the dark, what follows could never have happened. They had crossed a hill, and descended into a very narrow ravine which came to so sharp a point that the horses had to be strung out in single file. The ravine twisted to the right and then the last man of the procession heard the sheriff call: "Halt, there! Up with your hands, or I'll drill you!" When they swung from side to side, craning their heads to look, they made out a shadowy horseman facing Pete head on. Then the sheriff's voice again: "Gregg, I'm considerable glad to meet up with you."
If that meeting had taken place in any other spot probably Gregg would have taken his chance on escaping through the night, but in this narrow pass he could swing to neither side and before he could turn the brown horse entirely around the sheriff might pump him full of lead. They gathered in a solemn quiet around him; the irons were already upon his wrists.
"All right, boys," he said, "you've got me, but you'll have to give in that you had all the luck."
A moment after that sharp command in the familiar, dreaded voice of Pete Glass, Vic had been glad that the lone flight was over. Eventually this was bound to come. He would go back and face the law, and three men lived to swear that Blondy had gone after his gun first.
"Maybe luck," said the sheriff. "How d' you come back this way?"
"Made a plumb circle," chuckled Gregg. "Rode like a fool not carin' where
"You yaller quitters," groaned Joe. "Give me a square chance and I'll tackle Vic Gregg alone day or night, on hoss or on foot. Are we five goin' to lay down to him?"
"If that was Vic Gregg," answered the sheriff, slipping over the insult with perfect calm, "I wouldn't of told you to scatter for cover; but that ain't Vic."
"Pete, what in hell are you drivin' at?"
"I say it ain't Vic," said the sheriff. "Vic is a good man with a hoss and a good man with a gun, but he couldn't never ride like the gent over there in the rocks, and he couldn't shoot like him."
He pointed, in confirmation, at the body of Harry Fisher.
"You can rush that hill if you want, but speakin' personal, I ain't ready to die."
A thoughtful silence held the others until Sliver Waldron broke it with his deep bass. "You ain't far off, Pete. I done some thinkin' along them lines when I seen him standin' up there over the arroyo wavin' his hat at the bullets. Vic didn't never have the guts for that."
All the lower valley was gray, dark in comparison with the bright peaks above it, before the sheriff rose from his place and led the posse towards the body of Grey Molly. There they found as much confirmation of Pete's theory as they needed, for Vic's silver-mounted saddle was known to all of them, and this was a plain affair which they found on the dead horse. Waldron pushed back his hat to scratch his head.
"Look at them eyes, boys," he suggested. "Molly has been beatin' us all day and she looks like she's fightin' us still.
The sheriff was not a man of very many words, and surely of little sentiment; perhaps it was the heat of the long chase which now made him take off his hat so that the air could reach his sweaty forehead. "Gents," he said, "she lived game and she died game. But they ain't no use of wastin' that saddle. Take it off."
And that was Grey Molly's epitaph.
They decided to head straight back for the nearest town with the body of Harry Fisher, and, fagged by the desperate riding of that day, they let their horses go with loose rein, at a walk. Darkness gathered; the last light faded from even the highest peaks; the last tinge of color dropped out of the sky as they climbed from the valley. Now and then one of the horses cleared its nostrils with a snort, but on the whole they went in perfect silence with the short grass silencing the hoofbeats, and never a word passed from man to man.
Beyond doubt, if it had not been for that same silence, if it had not been for the slowness with which they drifted through the dark, what follows could never have happened. They had crossed a hill, and descended into a very narrow ravine which came to so sharp a point that the horses had to be strung out in single file. The ravine twisted to the right and then the last man of the procession heard the sheriff call: "Halt, there! Up with your hands, or I'll drill you!" When they swung from side to side, craning their heads to look, they made out a shadowy horseman facing Pete head on. Then the sheriff's voice again: "Gregg, I'm considerable glad to meet up with you."
If that meeting had taken place in any other spot probably Gregg would have taken his chance on escaping through the night, but in this narrow pass he could swing to neither side and before he could turn the brown horse entirely around the sheriff might pump him full of lead. They gathered in a solemn quiet around him; the irons were already upon his wrists.
"All right, boys," he said, "you've got me, but you'll have to give in that you had all the luck."
A moment after that sharp command in the familiar, dreaded voice of Pete Glass, Vic had been glad that the lone flight was over. Eventually this was bound to come. He would go back and face the law, and three men lived to swear that Blondy had gone after his gun first.
"Maybe luck," said the sheriff. "How d' you come back this way?"
"Made a plumb circle," chuckled Gregg. "Rode like a fool not carin' where