The Seventh Man [27]
I hit out for, and the end of it was that it was dark before I'd had sense to watch where the sun went down."
"Kind of cheerful, ain't you?" cut in Ronicky Joe, and his voice was as dry as the crisping leaves in an autumn wind.
"They ain't any call for me to wear crepe yet," answered Gregg. "Worst fool thing I ever done was to cut and run for it. The old Captain will tell you gents that Blondy went for his gun first--had it clean out of the leather before I touched mine."
He paused, and the silence of those dark figures sank in upon him.
"I got to warn you," said Pete Glass, "that what you say now can be used again you later on before the jury."
"My God, boys," burst out Vic, "d'you think I'm a plain, low-down, murderin' snake? Harry, ain't you got a word for me? Are you like the rest of 'em?"
No voice answered.
"Harry," said Ronicky, "why don't you speak to him?"
It was a brutal thing to do, but Ronicky was never a gentle sort in his best moments; he scratched a match and held it so that under the spluttering light Gregg found himself staring into the face of Harry Fisher. And he could not turn his eyes away until the match burned down to Ronicky's finger tip and then dropped in a streak of red to the ground.
Then the sheriff spoke cold and hard.
"Partner," he said, "in the old days, maybe your line of talk would do some good, but not now. You picked that fight with Blondy. You knew you was faster on the draw and Hansen didn't have a chance. He was the worst shot in Alder and everybody in Alder knew it. You picked that fight and you killed your man, and you're goin' to hang for it."
Another hush; no murmur of assent or dissent.
"But they's one way out for you, Gregg, and I'm layin' it clear. We wanted you bad, and we got you; but they's another man we want a lot worse. A pile! Gregg, take me where I can find the gent what done for Harry Fisher and you'll never stand up in front of a jury. You got my word on that."
Chapter XII. The Crisis
Those mountains above the Barry cabin were, as he told Vic Gregg, inaccessible to men on horseback except by one path, yet there was a single class of travelers who roamed at will through far more difficult ground than this. Speaking in general, where a man can go a burro can go, and where a burro can go he usually manages to carry his pack. He crawls up a raged down-pitch of rocks that comes dangerously close to the perpendicular; he walks securely along a crumbling ledge with half his body over a thousand yards of emptiness. Therefore the prospectors with their burros have combed the worst mountains of the West and it was hardly a surprise to Kate Barry when she saw two men come down the steepest slope above the cabin with two little pack animals scrambling and sliding before them. It was still some time before nightfall, but the sun had dropped out of sight fully an hour ago and now the western mountains were blackening against a sky whose thin, clear blue grew yellow towards evening.
Against that dark mass of the mountainside, she could not make out the two travelers clearly, so she shaded her eyes and peered up, high up. The slope was so sheer that if one of the four figures lost footing it would come crashing to her very feet. When they saw her and shouted down the sound fell as clearly as if they had called from the cabin, yet they had a good half hour's labor between that greeting and the moment they came out on the level before Kate. From the instant they called she remained in motionless, deep thought, and when they came now into full view, she cried out joyously: "Buck, oh Buck!" and ran towards them. Even the burros stopped and the men stood statue-like; it is rarely enough that one finds a human being in those mountains, almost an act of Providence that lead to a house, and a miracle when the trail crosses the path of a friend. The prospectors came out of their daze with a shout and rushed to meet her. Each of them had her by a hand, wringing it; they talked all together in a storm of words.
"Kate, I'm dreamin'!--Dear old
"Kind of cheerful, ain't you?" cut in Ronicky Joe, and his voice was as dry as the crisping leaves in an autumn wind.
"They ain't any call for me to wear crepe yet," answered Gregg. "Worst fool thing I ever done was to cut and run for it. The old Captain will tell you gents that Blondy went for his gun first--had it clean out of the leather before I touched mine."
He paused, and the silence of those dark figures sank in upon him.
"I got to warn you," said Pete Glass, "that what you say now can be used again you later on before the jury."
"My God, boys," burst out Vic, "d'you think I'm a plain, low-down, murderin' snake? Harry, ain't you got a word for me? Are you like the rest of 'em?"
No voice answered.
"Harry," said Ronicky, "why don't you speak to him?"
It was a brutal thing to do, but Ronicky was never a gentle sort in his best moments; he scratched a match and held it so that under the spluttering light Gregg found himself staring into the face of Harry Fisher. And he could not turn his eyes away until the match burned down to Ronicky's finger tip and then dropped in a streak of red to the ground.
Then the sheriff spoke cold and hard.
"Partner," he said, "in the old days, maybe your line of talk would do some good, but not now. You picked that fight with Blondy. You knew you was faster on the draw and Hansen didn't have a chance. He was the worst shot in Alder and everybody in Alder knew it. You picked that fight and you killed your man, and you're goin' to hang for it."
Another hush; no murmur of assent or dissent.
"But they's one way out for you, Gregg, and I'm layin' it clear. We wanted you bad, and we got you; but they's another man we want a lot worse. A pile! Gregg, take me where I can find the gent what done for Harry Fisher and you'll never stand up in front of a jury. You got my word on that."
Chapter XII. The Crisis
Those mountains above the Barry cabin were, as he told Vic Gregg, inaccessible to men on horseback except by one path, yet there was a single class of travelers who roamed at will through far more difficult ground than this. Speaking in general, where a man can go a burro can go, and where a burro can go he usually manages to carry his pack. He crawls up a raged down-pitch of rocks that comes dangerously close to the perpendicular; he walks securely along a crumbling ledge with half his body over a thousand yards of emptiness. Therefore the prospectors with their burros have combed the worst mountains of the West and it was hardly a surprise to Kate Barry when she saw two men come down the steepest slope above the cabin with two little pack animals scrambling and sliding before them. It was still some time before nightfall, but the sun had dropped out of sight fully an hour ago and now the western mountains were blackening against a sky whose thin, clear blue grew yellow towards evening.
Against that dark mass of the mountainside, she could not make out the two travelers clearly, so she shaded her eyes and peered up, high up. The slope was so sheer that if one of the four figures lost footing it would come crashing to her very feet. When they saw her and shouted down the sound fell as clearly as if they had called from the cabin, yet they had a good half hour's labor between that greeting and the moment they came out on the level before Kate. From the instant they called she remained in motionless, deep thought, and when they came now into full view, she cried out joyously: "Buck, oh Buck!" and ran towards them. Even the burros stopped and the men stood statue-like; it is rarely enough that one finds a human being in those mountains, almost an act of Providence that lead to a house, and a miracle when the trail crosses the path of a friend. The prospectors came out of their daze with a shout and rushed to meet her. Each of them had her by a hand, wringing it; they talked all together in a storm of words.
"Kate, I'm dreamin'!--Dear old