The Spinoza of Market Street - Isaac Bashevis Singer [11]
Old women came to Hindele to warn her that it would not be easy to be a daughter-in-law in the Yampol court. Her future mother-in-law, an old woman, was known for her wickedness. Reb Simon and his younger brothers had wild ways. The mother had chosen large women for her sons and the frail Hindele would not please her. Reb Simon's mother had consented to the match only because of Yampol's ambitions regarding Tzivkev.
From the time that the marriage negotiations started until the wedding, Hindele did not stop crying. She cried at the celebration of the writing of the marriage contract, she cried when the tailors fitted her trousseau, she cried when she was led to the ritual bath. There she was ashamed to undress for the immersion before the attendants and the other women, and they had to tear off her stays and her underpants. She would not let them remove from her neck the little bag which contained an amber charm and the tooth of a wolf. She was afraid to immerse herself in the water. The two attendants who led her into the bath, held her tightly by her wrists and she trembled like the sacrificial chicken the day before Yom Kippur. When Reb Simon lifted the veil from Hindele's face after the wedding, she saw him for the first time. He was a tall man with a broad fur hat, a pitch-black disheveled beard, wild eyes, a broad nose, thick lips, and a long moustache. He gazed at her like an animal. He breathed noisily and smelled of perspiration. Clusters of hair grew out of his nostrils and ears. His hands, too, had a growth of hair as thick as fur. The moment Hindele saw him she knew what she had suspected long before--that her bridegroom was a demon and that the wedding was nothing but black magic, a satanic hoax. She wanted to call out "Hear, O Israel" but she remembered her father's deathbed admonition to keep silent. How strange that the moment Hindele understood that her husband was an evil spirit, she could immediately discern what was true and what was false. Although she saw herself sitting in her mother's living room, she knew she was really in a forest. It appeared to be light, but she knew it was dark. She was surrounded by Chassidim with fur hats and satin gabardines, as well as by women who wore silk bonnets and velvet capes, but she knew it was all imaginary and that the fancy garments hid heads grown with elf-locks, goose-feet, unhuman navels, long snouts. The sashes of the young men were snakes in reality, their sable hats were actually hedgehogs, their beards clusters of worms. The men spoke Yiddish and sang familiar songs, but the noise they made was really the bellowing of oxen, the hissing of vipers, the howling of wolves. The musicians had tails, and horns grew from their heads. The maids who attended Hindele had canine paws, hoofs of calves, snouts of pigs. The wedding jester was all beard and tongue. The so-called relatives on the groom's side