The Valley of Bones - Anthony Powell [1]
SARDIS
1874
Kedward came smartly to a halt at the entrance of this tabernacle. The Sergeant-Major and I drew up beside him. A gale began to blow noisily up the street. Muffled yet disturbing, the war horns of Cunedda moaned in the frozen wind, as far away he rode upon the cloud.
‘This is the Company’s billet,’ said Kedward, ‘Rowland is meeting us here.’
‘Was he in the Mess last night?’
‘Not when you were there. He was on his rounds as Captain of the Week.’
I followed Kedward through the forbidding portals of Sardis – one of the Seven Churches of Asia, I recollected – immediately entering a kind of cave, darker than the streets, though a shade warmer. The Sergeant-Major formally called the room to attention, although no visible presence stirred in an ominous twilight heavy with the smell of men recently departed, a scent on which the odour of escaping gas had been superimposed. Kedward bade’ the same unrevealed beings ‘carry on’. He had explained earlier that ‘as bloody usual’ the Company was ‘on fatigues’ that week. At first it was not easy to discern what lay about us in a Daumier world of threatening, fiercely slanted shadows, in the midst of which two feeble jets of bluish gas, from which the pungent smell came, gave irregular, ever-changing contours to an amorphous mass of foggy cubes and pyramids. Gradually the adjacent shapes contracted into asymmetrical rows of double-decker bunks upon which piles of grey-brown blankets were folded in a regulated manner. Then suddenly at the far end of the cave, like the anthem of the soloist bursting gloriously from a hidden choir, a man’s voice, deep throated and penetrating, sounded, rose, swelled, in a lament of heartbreaking melancholy:
‘That’s where I fell in love,
While stars above
Came out to play;
For it was manaña,
And we were so gay,
South of the border,
Down Mexico way …’
Another barrack-room orderly, for that was whom I rightly judged the unseen singer to be, now loomed up from the darkness at my elbow, joining in powerfully with the last two lines. At the same time, he swung his broom with considerable violence backwards and forwards through the air, like a conductor’s baton, finally banging it with all his force against the wooden legs of one of the bunks.
‘All right, all right, there,’ shouted the Sergeant-Major, who had at first not disallowed the mere singing. ‘Not so much noise am I telling you.’
As one’s eyes grew used to the gloom, gothic letters of enormous size appeared on the walls of the edifice, picked out in red and black and gold above the flickering gas-jets, a text whose message read straight across the open pages of a huge volume miraculously confronting us high above the paved floor, like the mural warning at Belshazzar’s feast:
‘Thou hast a few names even in Sardis
which have not defiled their garments:
and they shall walk with me in white:
for they are worthy.’
Rev. III. 4.
‘Some of these blankets aren’t laid out right yet, Sergeant-Major,’ said Kedward. ‘It won’t do, you know.’
He spoke gravely, as if emphasising the Apocalyptic verdict of the walls. Although he had assured me he was nearly twenty-two, Kedward’s air was that of a small boy who had dressed up for a lark in officer’s uniform, completing the rag by rubbing his upper lip with burnt cork. He looked young enough to be the Sergeant-Major