The Valley of Bones - Anthony Powell [2]
‘Some of the new intake was taught different to fold them blankets,’ said the Sergeant-Major cautiously.
‘Look at that – and those.’
‘I thought the lads was getting the idea better now, it was.’
‘Never saw anything like it.’
‘A Persian market, you might think,’ agreed the Sergeant-Major.
Cleanshaven, with the severely puritanical countenance of an Ironside in a Victorian illustration to a Cavalier-and-Roundhead romance, CSM Cadwallader was not as old as he looked, nor for that matter – as I discovered in due course – nearly so puritanical. His resounding surname conjoined him with those half-historical, half-mythical times through which my mind had been straying a minute or two before, the stern nobility of his features suggesting a warrior from an heroic epoch, returned with dragon banners to sustain an army in time of war. Like the rest of the ‘other ranks’ of the Battalion, he was a miner. His smooth skull, entirely hairless, was streaked with an intricate pattern of blue veins, where coal dust of accumulated years beneath the ground had found its way under the skin, spreading into a design that resembled an astrological nativity – his own perhaps – cast in tattoo over the ochre-coloured surface of the cranium. He wore a Coronation medal ribbon and the yellow-and-green one for Territorial long service. The three of us strolled round the bunks.
‘Carry on with the cleaning,’ said Kedward sharply.
He addressed the barrack-room orderlies, who, taking CSM Cadwallader’s rebuke as an injunction to cease from all work until our party was gone, now stood fidgetting and whispering by the wall. They were familiar later as Jones, D., small and fair, with almost white hair, a rarity in the Battalion, and Williams, W. H., tall and dark, his face covered with spots. Jones, D., had led the singing. Now they began to sweep again energetically, at the same time accepting this bidding as also granting permission to sing once more, for, as we moved to the further end of the room, Jones, D., returned to the chant, though more restrainedly than before, perhaps on account of the song’s change of mood:
‘There in a gown of white,
By candlelight,
She stooped to pray …’
The mournful, long-drawn-out notes died for a moment. Glancing round, I thought the singer, too, was praying; then saw his crouched position had been adopted the better to sweep under one of the bunks. This cramped attitude no doubt impeded the rendering, or perhaps he had paused for a second or two, desire provoked by the charming thought of a young girl lightly clothed in shimmering white – like the worthy ones of Sardis – a picture of peace and innocence and promise of a good time, very different from the stale, cheerless atmosphere of the barrack-room. Rising, he burst out again with renewed, agonised persistence:
‘… The Mission bell told me
That I mustn’t stay
South of the border,
Down Mexico way . .
The message of the bell, the singer’s tragic tone announcing it, underlined life’s inflexible call to order, reaffirming the illusory nature of love and pleasure. Even as the words trailed away, heavy steps sounded from the other end of the chapel, as if forces of authority were already on the move to effect the unhappy lover’s expulsion from the Mission premises and delights of Mexico. Two persons had just come through the door. Kedward and the Sergeant-Major were still leaning critically over one of the bunks, discussing the many enormities of its incorrectly folded bedclothes. I turned from them and saw an officer approaching, accompanied by a sergeant. The officer was a captain, smallish, with a black moustache like Kedward’s, though much better grown; the sergeant, a tall, broad shouldered, beefy young man, with fair hair and very blue eyes – another Brythonic type, no doubt – that reminded me of Peter Templer’s. The singing had died down again, but the little captain stared angrily at the