The War Of The End Of The World - Mario Vargas Llosa [318]
“To the left, compadre,” Honório says, nudging him in the ribs.
He looks that way and sees: cavalrymen with lances. Some two hundred of them, perhaps more. They have crossed the Vaza-Barris half a kilometer to his right and are grouping in squads to attack this flank, amid the frantic din of a bugle. They are outside the line of trenches. In a second, he sees what is going to happen. The lancers will cut across the rolling hillside to the cemetery, and since in that sector there is no line of trenches to stop them they will reach Belo Monte in just a few minutes. On seeing the way clear, the foot soldiers will follow them into the city. Neither Pedrão nor Big João nor Pajeú has had time yet to get back to Belo Monte to reinforce the jagunços behind the parapets on the rooftops and towers of Santo Antônio and the Temple of the Blessed Jesus and the Sanctuary. So, not knowing what exactly he is going to do, guided by the madness of the moment, he grabs his ammunition pouch and leaps out of the dugout, shouting to Honório: “We must stop them, follow me, follow me!” He breaks into a run, bending over, the Mannlicher in his right hand, the revolver in his left, the ammunition pouch slung over his shoulder; it is as though he were dreaming, or drunk. At that moment, the fear of death—which sometimes wakes him up at night drenched with sweat or makes his blood run cold in the middle of a trivial conversation—disappears and a proud scorn for the very thought that he might be wounded or disappear from among the living takes possession of him. As he runs straight toward the cavalrymen—who, grouped now in squads, are beginning to trot in a zigzag line, raising dust, whom he can see at one moment only to lose sight of them the next because of the dips and rises in the terrain—ideas, memories, images fly up in his head like sparks in a forge. He knows that these cavalrymen belong to the battalion of lancers from the South, gauchos, whom he has spied roaming about behind A Favela in search of cattle. He thinks that none of these horsemen will ever set foot in Canudos, that Big João and the Catholic Guard, the blacks of the Mocambo or the Cariri archers will kill their mounts, magnificent white horses that will make excellent targets. And he thinks of his wife and his sister-in-law, wondering if they and the other women have been able to get back to Belo Monte. Among these faces, hopes, fantasies, Assaré appears, his native village in the state of Ceará, to which he has not returned since he fled from it because of the plague. His town often comes to mind in moments like this, when he feels that he has reached a limit, that he is about to step over a line beyond which there lies nothing but a miracle or death.
When his legs refuse to move a step farther, he sinks to the ground, and stretching out flat, without seeking cover, he steadies his rifle in the hollow of his shoulders and begins to shoot. He will not have time to reload, and therefore he aims carefully each time. He has covered half