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This Republic of Suffering - Faust, Drew Gilpin [159]

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Marli F. Weiner (Athens: University of Georgia Press, 1997), pp. 119, 99; Cornelia Peake McDonald, A Woman’s Civil War: A Diary, with Reminiscences of the War, from March 1862, ed. Minrose C. Gwin (Madison: University of Wisconsin Press, 1992), p. 241.

51. Louis Menand, The Metaphysical Club (New York: Farrar, Straus & Giroux, 2001), pp. x, 4. See Oliver Wendell Holmes, Touched with Fire: Civil War Letters and Diary of Oliver Wendell Holmes, Jr., 1861–1864, ed. Mark DeWolfe Howe (Cambridge, Mass.: Harvard University Press, 1946). The pathbreaking study of these issues was George M. Fredrickson, The Inner Civil War: Northern Intellectuals and the Crisis of the Union (New York: Harper & Row, 1965).

52. Paul Fussell, The Great War and Modern Memory (New York: Oxford University Press, 1975), p. 7; “Mother, Come Your Boy Is Dying” [sheet music] (New York: H. DeMarsan, n.d.); “Bless Me, Mother, Ere I Die” (New York: H. DeMarsan, n.d.); “Who Will Care for Mother Now?” (New York: Charles Magnus, n.d.); “Rock Me to Sleep, Mother,” in A Storm in the Land: Music of the 26th North Carolina Regimental Band, C.S.A. (New York: New World Records, 2002).

53. “Mother Would Comfort Me” (New York: H. DeMarsan, n.d.), Wolf 1472, words and music online at freepages.music.rootsweb.com/~edgmon/cwcomfort.htm; “Mother Would Wallop Me” (New York: H. DeMarsan, n.d.), Wolf 1470; John C. Cross, “Mother on the Brain” (New York: H. DeMarsan, n.d.), Wolf 1473, all from the American Song Sheet Collection, LCP. See southern editions: “Who Will Care for Mother Now?” (Macon and Savannah, Ga.: J. C. Schreiner & Son, 186–); “Rock Me to Sleep, Mother” (Richmond, Va.: C. Nordendorf, 1863); “Mother, Is the Battle Over?” (Columbia, S.C.: B. Duncan, 1863).

54. Twain, Stormfield’s Visit to Heaven.

55. Bierce quoted in Roy Morris Jr., Ambrose Bierce: Alone in Bad Company (New York: Oxford University Press, 1995), p. 182; Bierce quoted in Daniel Aaron, The Unwritten War: American Writers and the Civil War (New York: Oxford University Press, 1973), p. 183; Bierce quoted in Morris, Ambrose Bierce, p. 137. See Lara Cohen, “‘A Supper of Horrors Too Long Drawn Out’: Ambrose Bierce’s Literary Terrorism and the Reinstatement of Death,” B.A. paper (University of Chicago, 1999), courtesy of Lara Cohen; Cathy N. Davidson, The Experimental Fictions of Ambrose Bierce: Structuring the Ineffable (Lincoln: University of Nebraska Press, 1984); Cathy N. Davidson, ed., Critical Essays on Ambrose Bierce (Boston: G. K. Hall, 1982).

56. Bierce quoted in Morris, Ambrose Bierce, p. 205; Ambrose Bierce, Phantoms of a Blood-Stained Period: The Complete Civil War Writings of Ambrose Bierce, ed. Russell Duncan and David J. Klooster (Amherst: University of Massachusetts Press, 2002); Ambrose Bierce, The Devil’s Dictionary (New York: Oxford University Press, 1999), p. 161.

57. Ambrose Bierce, “What I Saw of Shiloh,” in Phantoms of a Blood-Stained Period, p. 103.

58. Ambrose Bierce, “A Tough Tussle,” in Ernest Jerome Hopkins, comp., The Civil War Short Stories of Ambrose Bierce (Lincoln: University of Nebraska Press, 1970), p. 39.

59. Edmund Wilson, Patriotic Gore: Studies in the Literature of the American Civil War (New York: Oxford University Press, 1962), p. 622.

60. Bierce, “Tough Tussle,” pp. 39, 41.

61. Ibid., pp. 41, 43, 44.

62. Bierce quoted in Morris, Ambrose Bierce, p. 205; Bierce, Phantoms of a Blood-Stained Period, p. 21.

63. Ambrose Bierce, “An Occurrence at Owl Creek Bridge,” in Civil War Stories of Bierce, pp. 45–52; Robert C. Evans, ed., Ambrose Bierce’s “An Occurrence at Owl Creek Bridge” An Annotated Critical Edition (West Cornwall, Conn.: Locust Hill Press, 2003).

64. Bierce quoted in Morris, Ambrose Bierce, p. 205; Bierce, Devil’s Dictionary, p. 34.

65. Ambrose Bierce, The Collected Works of Ambrose Bierce (New York: Neale Publishing Co., 1911), vol. 8, p. 347.

66. Herman Melville, “The Armies of the Wilderness,” in Battle-Pieces and Aspects of the War: Civil War Poems (1866; rpt. New York: Da Capo Press, 1995), p. 103; Melville quoted in Lee Rust Brown, “Introduction,

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