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This Republic of Suffering - Faust, Drew Gilpin [4]

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directly confronted the reality of battlefield death rendered by the new art of photography. They found themselves transfixed by the paradoxically lifelike renderings of the slain of Antietam that Mathew Brady exhibited in his studio on Broadway. If Brady “has not brought bodies and laid them in our dooryards and along the streets, he has done something very like it,” wrote the New York Times.9

“Confederate Dead at Antietam, September 1862.” Photograph by Alexander Gardner. Library of Congress.

This new prominence of bodies overwhelmingly depicted their destruction and deformation, inevitably raising the question of how they related to the persons who had once inhabited them. In the aftermath of battle survivors often shoveled corpses into pits as they would dispose of animals—“in bunches, just like dead chickens,” one observer noted—dehumanizing both the living and the dead through their disregard. In Civil War death the distinction between men and animals threatened to disappear, just as it was simultaneously eroding in the doctrines of nineteenth-century science.10

The Civil War confronted Americans with an enormous task, one quite different from saving or dividing the nation, ending or maintaining slavery, or winning the military conflict—the demands we customarily understand to have been made of the Civil War generation. Americans North and South would be compelled to confront—and resist—the war’s assault on their conceptions of how life should end, an assault that challenged their most fundamental assumptions about life’s value and meaning. As they faced horrors that forced them to question their ability to cope, their commitment to the war, even their faith in a righteous God, soldiers and civilians alike struggled to retain their most cherished beliefs, to make them work in the dramatically altered world that war had introduced. Americans had to identify—find, invent, create—the means and mechanisms to manage more than half a million dead: their deaths, their bodies, their loss. How they accomplished this task reshaped their individual lives—and deaths—at the same time that it redefined their nation and their culture. The work of death was Civil War America’s most fundamental and most demanding undertaking.

CHAPTER 1

DYING

“To Lay Down My Life”

“Dying—annuls the power to kill.”

EMILY DICKINSON, 1862

No one expected what the Civil War was to become. Southern secessionists believed northerners would never mobilize to halt national division or that they would mount nothing more than brief and ineffective resistance. South Carolina senator James Chesnut boldly promised to drink all the blood that might be shed as a result of the Confederate declaration of independence.1 When military confrontation began to seem inevitable, northerners and southerners alike expected it to be of brief duration. The North entered the First Battle of Bull Run in the summer of 1861 anticipating a decisive victory that would quash the rebellion; Confederates thought the Union would quickly give up after initial reverses. Neither side could have imagined the magnitude and length of the conflict that unfolded, nor the death tolls that proved its terrible cost.

A number of factors contributed to these unanticipated and unprecedented losses. The first was simply the scale of the conflict itself. As a South Carolinian observed in 1863, “The world never saw such a war.” Approximately 2.1 million northerners and 880,000 southerners took up arms between 1861 and 1865. In the South, three out of four white men of military age became soldiers. During the American Revolution the army never numbered more than 30,000 men.2

Changing military technology equipped these mass armies with new, longer-range weapons—muzzle-loading rifles—and provided some units, by the latter stages of the war, with dramatically increased firepower in the form of breech-loading and even repeating rifles. Railroads and emerging industrial capacity in both North and South made resupply and redeployment of armies easier, extending the duration of the

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