Timeline - Michael Crichton [51]
“So, this made a very odd situation. For most of the twentieth century, there’s a theory of the universe that everyone uses, and everyone agrees is correct—but nobody can tell you what it is saying about the world.”
“What does all this have to do with multiple universes?” Marek said.
“I’m getting there,” Gordon said.
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Many physicists tried to explain the equations, Gordon said. Each explanation failed for one reason or another. Then in 1957, a physicist named Hugh Everett proposed a daring new explanation. Everett claimed that our universe—the universe we see, the universe of rocks and trees and people and galaxies out in space—was just one of an infinite number of universes, existing side by side.
Each of these universes was constantly splitting, so there was a universe where Hitler lost the war, and another where he won; a universe where Kennedy died, and another where he lived. And also a world where you brushed your teeth in the morning, and one where you didn’t. And so forth, on and on and on. An infinity of worlds.
Everett called this the “many worlds” interpretation of quantum mechanics. His explanation was consistent with the quantum equations, but physicists found it very hard to accept. They didn’t like the idea of all these worlds constantly splitting all the time. They found it unbelievable that reality could take this form.
“Most physicists still refuse to accept it,” Gordon said. “Even though no one has ever shown it is wrong.”
Everett himself had no patience with his colleagues’ objections. He insisted the theory was true, whether you liked it or not. If you disbelieved his theory, you were just being stodgy and old-fashioned, exactly like the scientists who disbelieved the Copernican theory that placed the sun at the center of the solar system—and which had also seemed unbelievable at the time. “Because Everett claimed the many worlds concept was actually true. There really were multiple universes. And they were running right alongside our own. All these multiple universes were eventually referred to as a ‘multiverse.’”
“Wait a minute,” Chris said. “Are you telling us this is true?”
“Yes,” Gordon said. “It’s true.”
“How do you know?” Marek said.
“I’ll show you,” Gordon said. And he reached for a manila file that said “ITC/CTC Technology.”
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He took out a blank piece of paper, and began drawing. “Very simple experiment, it’s been done for two hundred years. Set up two walls, one in front of the other. The first wall has a single vertical slit in it.”
He showed them the drawing.
“Now you shine a light at the slit. On the wall behind, you’ll see—”
“A white line,” Marek said. “From the light coming through the slit.”
“Correct. It would look something like this.” Gordon pulled out a photo on a card.
Gordon continued to sketch. “Now, instead of one slit, you have a wall with two vertical slits in it. Shine a light on it, and on the wall behind, you see—”
“Two vertical lines,” Marek said.
“No. You’ll see a series of light and dark bars.” He showed them:
“And,” Gordon continued, “if you shine your light through four slits, you get half as many bars as before. Because every other bar goes black.”
Marek frowned. “More slits mean fewer bars? Why?”
“The usual explanation is what I’ve drawn—the light passing through the slits acts like two waves that overlap. In some places they add to each other, and in other places they cancel each other out. And that makes a pattern of alternating light and dark on the wall. We say the waves interfere with each other, and that this is an interference pattern.”
Chris Hughes said, “So? What’s wrong with all that?”
“What’s wrong,” Gordon said, “is that I just gave you a nineteenth-century explanation. It was perfectly acceptable when everybody believed that light was a wave. But since Einstein, we know that light consists of particles called photons. How do you explain a bunch of photons making this pattern?”
There was silence. They