Weighed in the balance - Anne Perry [55]
“Well enough to think of returning home?”
“Oh!” She dragged out the syllable with understanding. “You think Rolf was there to persuade him, and Gisela overheard it and thought Friedrich would go? I’m quite certain you are wrong.” She leaned back a little against the railing. It was a gently provocative pose showing the curves of her body. “No one who knew them really thought he would go without her.” The laughter died and there was a faintly wistful look in her face. “People who love like that cannot ever be parted. He wouldn’t have survived without her, nor she without him.” She was half profile to Monk. He could see her delicate nose, a little turned up, and the shadow of her lashes on the smoothness of her cheek. She stared over the hubbub of noise from scores of people chattering, the music of violins and woodwind instruments.
“I remember when one of Giuseppe Verdi’s new operas was performed at the Fenice here,” she said with a rueful smile. “It was about politics in Genoa. The scenery was all rather like this. Lots of water. That was ten years ago.” She shrugged. “Of course, the theater is closed now. I don’t suppose you have noticed it yet, but there are no carnivals anymore, and Venetian aristocracy has all moved to the mainland. They don’t attend the official parties the Austrian government gives. I don’t know whether that’s because they hate the Austrians so much or because they are afraid of nationalist reprisals if they do.”
“Nationalist reprisals?” he said curiously, still watching the light on her face. “You mean there is a nationalist movement here so strong they would actually victimize people who openly accept the occupation?”
“Oh, yes!” She shook her head in a gesture of resignation. “Of course, it doesn’t matter to us, who are expatriates anyway, but to the Venetians it’s terribly important. Marshal Radetzky, he’s the governor, said that he would give balls and masques and dinners, and if the ladies would not come, then his officers would waltz with each other.” She gave a rueful little laugh and glanced at him quickly, then away again. “When the Austrian royal family came here, they went in procession down the Grand Canal, and no one even came to the windows or balconies to look! Can you imagine that?”
He tried, visualizing the sadness, the oppression and resentment, the dignified, rather pathetic figures of the royalty in exile keeping up their pretense of ceremony, and the real royalty, carrying all its power of empire, sailing down those glittering waters in silence as they were totally ignored. And all the while the real Venetians busy elsewhere, planning and fighting and dreaming. No wonder the city had an air of desolation unlike any other.
But he was here to learn about Friedrich and Gisela, and why Zorah had made her charge. He was standing very close to Evelyn. He could feel the warmth of her body. Her soft hair was faintly tickling his face, and the perfume of her seemed to be everywhere. The noise and the glitter swirled around him, but he was islanded alone with her in the shadows. It was hard to focus his attention back to the issue.
“You were going to tell me something about Friedrich,” he prompted her.
“Oh, yes!” she agreed, glancing at him for a moment. “It was the opera. Gisela wanted to go. It was to be a special performance. All sorts of old Venetian nobility were to be there. As it turned out, they were not. It wasn’t really a success. Poor Verdi! Gisela was determined, and Friedrich refused. He felt he owed it to some Venetian prince or other not to go, because of the Austrian occupation. After all, Venice was his home after so many years here. A sort of loyalty, I suppose.”
“But Gisela didn’t care?” he questioned.
“She wasn’t very political …”
Or very loyal either, he thought, or grateful to a people who had made her welcome. It was suddenly an ugly tone in a picture up to then in totally romantic colors. But he did not interrupt.
From the ballroom the music floated up to them, and a woman’s sudden laughter. He glimpsed Klaus