Weighed in the balance - Anne Perry [56]
“She dressed in a new gown,” Evelyn went on. “I remember because it was one of the best I had ever seen, even on her. It was the shade of crushed mulberries, with gold braid and beaded embroidery, and the skirt was absolutely enormous. She was always slender, and she walked with her head very high. She wore a gold ornament in her hair, and a necklace with amethysts and pearls.”
“And Friedrich didn’t go? Who escorted her?” he asked, trying to picture it but seeing in his mind’s eye only Evelyn.
“Yes, he did go,” she said quickly. “That is, she went with Count Baldassare, but they had barely sat down when Friedrich arrived. To anyone else it could have looked merely as if he was late. It was only by chance I knew the truth. I don’t think Friedrich even knew what the opera was about. He couldn’t have told you whether the soprano was dark or fair. He watched Gisela all night.”
“And she was pleased to have won?” He tried to understand whether it had been a battle of wills, a jealousy, or simply a domestic tiff. And why had Evelyn elected to tell him this?
“She didn’t seem so. And yet I know perfectly well she had no interest in Count Baldassare, nor he in her. He was merely being courteous.”
“He was one of the Venetian aristocracy who remained?” he assumed.
“No. Actually, he’s gone too now.” She sounded curious and surprised. “The fight for independence has cost a lot of people far more than I used to think. Count Baldassare’s son was killed by the Austrians. His wife has become an invalid. She lost a brother too, I think. He died in prison.” She looked rueful and puzzled. “I’m not sure how much it is all worth. The Austrians aren’t bad, you know. They are very efficient, and they are one of the few governments in Europe who are not corrupt. At least that is what Florent says, and he’s half Venetian, so he wouldn’t say it if it were not true. He loathes them.”
Monk did not reply. He was thinking of Gisela. She was an unclear picture in his mind. He had never seen her face. He had been told she was not beautiful, but his vision always saw her with wide eyes and a turbulent, passionate kind of loveliness. Evelyn had marred it with the story of the opera. It was a very slight thing, only an ungraciousness in insisting on attending a function her husband had considered dishonor to their hosts, a form of ingratitude he had forbidden, and she had defied him for the pleasure of an evening’s entertainment.
But in the end Friedrich had gone too, rather than endure her displeasure. Monk did not admire that either.
Evelyn held out her hand, smiling again.
He took it immediately; it was warm and delicately boned, almost like a child’s.
“Come,” she urged. “May I call you William? Such a very proper English name. I adore it. It suits you perfectly. You look so dark and brooding, and you behave with such gravity, you are quite delightful.” He felt himself blush, but it was with pleasure. “I shall make it my task to teach you to unbend a little and enjoy yourself like a Venetian,” she went on happily. “Do you dance? I don’t care whether you do or not. If you don’t, then I shall teach you. First you must have some wine.” She started to lead him towards the steps down into the ballroom again. “It will warm your stomach and your heart … then you will forget London and think only of me!”
Her effort was unnecessary; he was already thinking only of her anyway.
He spent much of the rest of the night with her, and of the following night as well, and of the afternoon of his fourth day in Venice. He did learn much of the life of the exile court, if it could be called such when there was still a king on the throne at home, and a new crown prince.
But he was also enjoying himself enormously. Stephan was a good companion for the mornings, showing him the byways and back alleys and canals as well as the obvious beauties of Venice, and telling him something of the republic’s history, showing him its glory and its art.
Monk kept on asking occasional questions about Friedrich and Gisela,