Wide Sargasso Sea - Jean Rhys [55]
‘Then all the servants were sent away and she engaged a cook, and a maid and you, Leah. They were sent away but how could she stop them talking? If you ask me the whole country knows. The rumours I’ve heard – very far from the truth. But I don’t contradict, I know better than to say a word. After all the house is big and safe, a shelter from the world outside which, say what you like, can be a black and cruel world to a woman. Maybe that’s why I stayed on.’
The thick walls, she thought. Past the lodge gate a long avenue of trees and inside the house the blazing fires and the crimson and white rooms. But above all the thick walls, keeping away all the things that you have fought till you can fight no more. Yes, maybe that’s why we all stay – Mrs Eff and Leah and me. All of us except that girl who lives in her own darkness. I’ll say one thing for her, she hasn’t lost her spirit. She’s still fierce. I don’t turn my back on her when her eyes have that look. I know it.
In this room I wake early and lie shivering for it is very cold. At last Grace Poole, the woman who looks after me, lights a fire with paper and sticks and lumps of coal. She kneels to blow it with bellows. The paper shrivels, the sticks crackle and spit, the coal smoulders and glowers. In the end flames shoot up and they are beautiful. I get out of bed and go close to watch them and to wonder why I have been brought here. For what reason? There must be a reason. What is it that I must do? When I first came I thought it would be for a day, two days, a week perhaps. I thought that when I saw him and spoke to him I would be wise as serpents, harmless as doves. ‘I give you all I have freely,’ I would say, ‘and I will not trouble you again if you will let me go.’ But he never came.
The woman Grace sleeps in my room. At night I sometimes see her sitting at the table counting money. She hols a gold piece in her hand and smiles. When she puts it all into a little canvas bag with a drawstring and hangs the bag round her neck so that it is hidden in her dress. At first she used to look at me before she did this but I always pretended to be asleep, now she does not trouble about me. She drinks from a bottle on the table then she goes to bed, or puts her arms on the table, hear head on her arms, and sleeps. But I lie watching the fire die out. When she is snoring I get up and I have tasted the drink without colour in the bottle. The first time I did this I wanted to spit it out but managed to swallow it. When I got back into bed I could remember more and think again. I was not so cold.
There is one window high up – you cannot see out of it. My bed had doors but they have been taken away. There is no much else in the room. Her bed, a black press, the table in the middle and two black chairs carved with fruit and flowers. They have high backs and no arms. The dressing-room is very small, the room next to this one is hung with tapestry. Looking at the tapestry one day I recognized my mother dressed in an evening gown but with bare feet. She looked away from me, over my head just as she used to do. I wouldn’t tell Grace this. Her name oughtn’t to be Grace. Names matter, like when he wouldn’t call me Antoinette, and I saw Antoinette drifting out of the window with her scents, her pretty clothes and her looking-glass.
There