American Chica_ Two Worlds, One Childhood - Marie Arana [2]
I suppose I could have thought of a million things at the sight of that girl, twisting about in her lime-green T-shirt, swiveling a pretty head from left to right. But what struck me was the look in her eyes. How anxious she seemed. How delicate a bridge she was between the northern man and southern woman.
What I thought of was me.
1
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GHOSTS
Pishtacos
THE CORRIDORS OF my skull are haunted. I carry the smell of sugar there. The odors of a factory—wet cane, dripping iron, molasses pits—are up behind my forehead, deep inside my throat. I’m reminded of those scents when children offer me candy from a damp palm, when the man I love sighs with wine upon his tongue, when I inhale the heartbreaking sweetness of rotting fruit and human waste that rises from garbage dwellers’ camps along the road to Lima.
I am always surprised to learn that people do not live with memories of fragrance as I do. The smell of sugar is so strong in my head. That they could have spent the first years of their lives in places like Pittsburgh or Hong Kong and not gone for the rest of their days with the stench of a steel furnace or the aromas of fungus and salt shrimp tucked into some netherfold of cortex—how is that possible?
I had a friend once, from Bombay, who told how baffling it was to travel this world smelling turmeric, coriander, and cardamom in the most improbable corners of Nantucket or Palo Alto, only to find that they were Lorelei of the olfactory, whiffs of his imagination, sirens of his mother’s curry, wafting in like she-cats, flicking seductive tails.
He chased after those smells, cooking up curries in rented houses in New Jersey, in tidy chalets in Switzerland, in motel rooms along the Shenandoah, mixing pastes from powders out of bottles with Scottish surnames, searing ghees in Sara Lee aluminum, washing out lunch boxes in Maryland rest stops, trying to bring it back. Bring it back. Up into the sinus, trailing down the throat. He was never quite able to recapture that childhood blend: mashed on stone, dried in a Mahabharatan sun, stuffed into earthenware, sold in an old man’s shop, carried home in string-tied packages, measured onto his mother’s mortar, locked into the chambers of his heart.
So it has been with me and sugar. I look back and see piles of it, glittering crystals of it—burned, powdered, superfine. I smell sugar everywhere. On whispers, in books, in the loam of a garden. In every cranny of life. And always—always—it is my father’s sugar I am longing for: raw, rough, Cartavio brown.
Cartavio was the name of our hacienda: a company town as single of purpose as Akron or Erie or Turin or anyplace where pistons and steel drive residents’ lives. It was the mid 1950s, boom days for sugar in Peru, and the American industrial giant W. R. Grace was making the most of it in this remote coastal hamlet, five hundred miles north of Lima. Cartavio was surrounded by fields of sugarcane, fringed by a raging Pacific, and life in it was an eerie mirror of Peru’s conquistador past. On one side of the hacienda were the cinnamon-skinned indigenous in a warren of cinder block. On the other, in houses whose size and loveliness depended on the rank of their inhabitants, lived Peruvians of Spanish