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The Contrast [28]

By Root 236 0
I'll go; I want a little exercise. Positively [Dimple offering to accompany her], Mr. Dimple, you shall not go; why, half my visits are cake and caudle visits; it won't do, you know, for you to go. [Exit, but returns to the door in the back scene and listens.]


DIMPLE

This attachment of your brother to Maria is fortunate.


CHARLOTTE

How did you come to the knowledge of it?


DIMPLE

I read it in their eyes.


CHARLOTTE And I had it from her mouth. It would have amused you to have seen her! She, that thought it so great an impropriety to praise a gentleman that she could not bring out one word in your favour, found a redundancy to praise him.


DIMPLE

I have done everything in my power to assist his passion there: your delicacy, my dearest girl, would be shocked at half the instances of neglect and mis- behaviour.


CHARLOTTE

I don't know how I should bear neglect; but Mr. Dimple must misbehave himself indeed, to forfeit my good opinion.


DIMPLE

Your good opinion, my angel, is the pride and pleas- ure of my heart; and if the most respectful tenderness for you, and an utter indifference for all your sex besides, can make me worthy of your esteem, I shall richly merit it.


CHARLOTTE

All my sex besides, Mr. Dimple!--you forgot your tete-a-tete with Letitia.


DIMPLE

How can you, my lovely angel, cast a thought on that insipid, wry-mouthed, ugly creature!


CHARLOTTE

But her fortune may have charms?


DIMPLE

Not to a heart like mine. The man, who has been blessed with the good opinion of my Charlotte, must despise the allurements of fortune.


CHARLOTTE

I am satisfied.


DIMPLE

Let us think no more on the odious subject, but devote the present hour to happiness.


CHARLOTTE

Can I be happy when I see the man I prefer going to be married to another?


DIMPLE

Have I not already satisfied my charming angel, that I can never think of marrying the puling Maria? But, even if it were so, could that be any bar to our happiness? for, as the poet sings,

"Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies."

Come, then, my charming angel! why delay our bliss? The present moment is ours; the next is in the hand of fate. [Kissing her.]


CHARLOTTE

Begone, Sir! By your delusions you had almost lulled my honour asleep.


DIMPLE

Let me lull the demon to sleep again with kisses. [He struggles with her; she screams.]


Enter MANLY.


MANLY

Turn, villain! and defend yourself.--[Draws.]


[VAN ROUGH enters and beats down their swords.]


VAN ROUGH

Is the devil in you? are you going to murder one another? [Holding Dimple.]


DIMPLE

Hold him, hold him,--I can command my passion.


Enter JONATHAN.


JONATHAN

What the rattle ails you? Is the old one in you? Let the colonel alone, can't you? I feel chock-full of fight,--do you want to kill the colonel?--


MANLY

Be still, Jonathan; the gentleman does not want to hurt me.

JONATHAN

Gor! I--I wish he did; I'd shew him Yankee boys play, pretty quick.--Don't you see you have frightened the young woman into the hystrikes?

VAN ROUGH

Pray, some of you explain this; what has been the occasion of all this racket?


MANLY

That gentleman can explain it to you; it will be a very diverting story for an intended father-in-law to hear.


VAN ROUGH

How was this matter, Mr. Van Dumpling?


DIMPLE

Sir,--upon my honour,--all I know is, that I was talking to this young lady, and this gentleman broke in on us in a very extraordinary manner.


VAN ROUGH

Why, all this is nothing to the purpose; can you explain it, Miss? [To Charlotte.]


Enter LETITIA through the back scene.


LETITIA

I can explain it to that gentleman's confusion. Though long betrothed to your daughter [to Van Rough], yet, allured by my fortune, it seems (with shame do I speak it) he has privately paid his ad- dresses to me. I was drawn in to listen to him by his assuring me that the match was made by his father without
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